Issue link: https://www.ahpindiestylist.com/i/1534976
52 AHP Indie Stylist Volume 6 Issue 1 ATTAINABLE ALTERNATIVES TO HIGH-FASHION LOOKS As hair professionals, we know that hair can be a powerful canvas for self-expression. At the same time, we must recognize that societal norms and professional environments still place certain limitations on how dramatically clients can transform their looks. Unfortunately, hair discrimination is very real, and some workplaces even go so far as to prohibit specific hair colors or styles. It's a hair pro's responsibility to craft a look that honors their client's creative vision while thoughtfully considering the individual lifestyle factors that shape how that haircut or color will represent them in their daily life. Adapting Specific Styles When translating editorial looks into something more wearable, Izquierdo likes to focus on the key elements that make the look unique and create a version that fits the client's lifestyle. Maintaining the overall silhouette, recreating the feel (e.g., soft and undone versus sleek and polished), and getting the tone of the color right will all make the client feel like they're getting what they came for— even if the style that they leave with doesn't look exactly like their inspiration image. If a client sits down wanting chunky, high-contrast highlights (e.g., money pieces), Izquierdo says he might suggest soft, blended, face-framing highlights with a more natural transition as an alternative. For a textured, undone shag or mullet, Izquierdo might instead propose a layered cut with softer, more wearable texture. A good alternative to bold, allover fantasy colors is subtle peekaboo highlights or a pastel gloss for a hint of color. Changing the placement of color often allows for greater versatility. Wolff also uses strategic placement and thoughtful tone to adapt dramatic color trends into more wearable hues. "Usually I go with the method where, if it must be brighter, I do less of it and sometimes more of a peekaboo style. If it's more about the placement, I soften the tone," he says. "For example, if a client wants allover red, I might opt for a deeper tone with some tonal highlighting to add dimension instead of a bright, fire-engine red." Considering Texture When translating editorial looks for different hair textures, focus on the essence of the look rather than creating an exact replica. Almost every style can be translated across different textures. However, it's important to consult stocksy